Harvest MoonThree a.m. moonlightacross lazy dust motes; atree scrapes the window.Your arm weighs on my hip likewhispered promises of love.
SolsticeOnce upon a time, when you were still sunlighthouses and shimmering existence wherever you were needed most, you found him. He was November, shaky on his first last legs, and you saw through the mind-twistings he feigned to the mind-twistings that were really there, knotted up in his dreams.You were still birdsong then, and thunderstorms, and your bodyheat melted the frost claws that held him tight. You held onto him as his November deepened. When he howled, you howled with him, and the wind played with your voices and pressed the softness of your lungs against your cageribsand then against each other's.November became solstice, and
DormantWinter is a blank slate,but not like Rousseau'sit cleansessucking out warmth like poisonleaving only windburnt frosttacked to the window paneall we rememberis the numbnessthe shudderingskittish steps across the icesnowflakes pasted to our facessmoke rising from our lipsdragged across bleak cloudswinter has us capturedbound by fur and wallsdrifting in our eggshelled silencebone cold until we birth ourselves by warmth emerge from our shells wet and heavinguncurl our fingers one by onejoints crackling like fire at our backsuntil spring comes drip by tender dripold wounds thaw we are found raw,
Va'eiraThis was a lesson in just how quiet it can bewhen you don't make enough noise.Me, holding a toy gun to a stranger's head"Remember when things stopped being ridiculous?"You, eating dandelions in a midnight field"About the same time things stopped making sense."A boy in church camp carved a small crucifixfor his arts and crafts project. He won the blueribbon and a brand new Bible. The next morningI found it hanging over our cabin door.A toad was nailed to the cross.Still breathing.Still breathing.Sometimes we wake up early enough to hide the evil from our world.Still breathing.
I Have No Names for all My Teacup BabesI feel always like I am starting over.As a magpie I gather trinkets under my pillow,bay leaves and bags of herbs to bring the next lover to me,to call the next dream-face forwarda picturepainted in the tea leaves.But truth be told the start-againis never clean, is never gentle,and the sweat of all that labouris a fire on my skin, telling me I will never resist its wind-cry.The moon comes when I call, to help me;midwife, she is, and she carries into being my new selveslike the babes they are, teaches them to fill long footsteps like hers.Truth be told, I tire of the destinyI was given onceI am a teacup
relearning i. stardust scatters with thedirection of my pupils –maybe secretly i am anastrology teacher, waitingfor a sign to winkhappily at me. ii. excuse the ramblingnature of forgotten questionmarks, but tell me:would you like to be theobject of handwritten clichéswould you like to whispersecrets in my palmand would youlike to be the possibility iii. air brushes against myskin like the torn petalsof a flower still standing.[ hold your head up high, honey,and tell tomorrow to wait justa while, iv. so you can figure outthe difference between patience and having all the
earth circuitAnd when the sun sinks, the earth's skin crawls:I. I wonder if this awkward creature would notice me the way I notice him. He's so tragic at his throneI stare after him longingly.And yet, He never realizes that I'm the one Who forever basks in his brilliant beams. If only he knew how much brighter he could burn[with me]He'd light up the universe.II.I heard him speak of thirst, once. The quenching lust of the stars had run dry. So that night, I brought along a jar of acid. (And how it gleamed in his glow). I handed it to him, wrapped in taffeta ribbons,screamingI wish curdling joyOn my gurgling boy
preludesi.blue rose into the city backdroplike balloons, a million for themorning sun prelude.ii.i've not slept a dreambut i have cried a salty faceand letters spilled like beansinto my moleskine,almost as virgin as i once was with few stories between my covers.iii.the kettle's belly boils like my head upon a pillow.iv.i am guilty for rarely finishing my teaeven when i use the small mugs;pour, rinse, repeat.v. perhaps today i will play dead.vi.perched behind my blindsit dawns on me that i am surroundedby walled neighbours, strangers,they're just preludes to loversthe way i am always prelude to the one.
6:30:09what i wouldn't giveto have my body sink downinto yours, cocoonedin the tumultuous quicksandof human flesh.i have never been so movedas by your touch, the slinking seepingbrush. the universe dispelsand in the absence of everything,i am less alone than i have ever been.
tree, fiddler crabIt took days to hollow out the soft partsof the trunk, dig out the tree-flesh and sap, polish the raw wood so that when he sat, there would be no splinters. He carved his nameinto the side, like a blessing, a declarationof good fortune, and stowed his forest inside.
apogee"if pluto disappearedfrom its orbit,would the sun notice?" you asked,and i said that i did not know.i remember callingyour name, battling withthe roar of the ocean tryingto get my voice to reach your ears.know this: i went hoarse that day;from the cold of the spray, from theshouts torn out of my throat, from thefeeling of having my essenseirremediably ripped from my bones.and know that that night i tried to soothethe ache with tea that i could not taste."this is no tragedy," i said to myself,even as i recalled that there was nothingbefore you; even as i realize it'sentirely possible that there will be nothi
I Of YouI want you to breakand never bend for me,see my historyspiderweb your brilliancetill you belong to me(and I, to you)utterly and foreverand knowyou cannot stop this.
The Animal(Howl into my ear; give me your claws.I want the animal in you;in you I shall nest.)Take your clothes off, take them off for me.Let me see the scars and the marks, those dark moles and faint sun spots.I want to memorize the way your fur grows.I want to tickle my cheeks with your goose bumps.Let me count the bruises and the cuts.I'll bless them with names; I'll lick away the blood stains.We can lie skin to skin for days.I have enough kisses for your brows and lashes, for nails, teeth and toes, for thighs and knees; in your curves and dents I'll nuzzle my nose.Let me see your skin dance.Through and around; your
When your hands can mimic birdsWhen your hands can mimic birds,you lose the need for sound.A flight of words that bear no chirpare none the less profound.They don't perch on a pitch.They don't possess the need .They fly until you've seen their song,then silently recede.No one could find more freedom thanthe freedom granted flight.No one can see more beauty than inwords passed left to right.
if only, if only.i.we drove nowhereand we spoke a language that nobody understoodunderneath a foreign skyblanketed in the scent of pine.ii.you told memy eyes were like envelopesbecause they were alwaysopeningclosingfluttering to the soundof breaking sealsand ink stained fingertips.iii.i told youwe should run awayto a new landwith new facesbecausei was enamoredwith people i had never encounteredand places i had never gone.iv.you laughed at meand said thatif i didn't spend so much time with my headburied in world mapsi would realizethat i was living on one.v.i remember it rained that dayand the tea went coldbut the
New-blueTo:The girlThe girl who taught him to seal his mouth in silence, his eyes buried in the black of her hair (he's frightened of darkness but fond of the cold),you are the reason he rests in frostbitten sleep,in voices that croak, not sounding much like his own, as the old vibrations shake my drums instead of yours.You were prose written for unsatisfactory, easy-breathing nights, as his hand trembled under the light of a feeble lamp, composing quick sounds of the mouth and the pretty words that shape your lips.To:The girlThe girl who has stolen his sight so soon after he fell in love with the blue sky and blue fingertips and
How deep is the ocean?He thought,if he could catch the wind in the palm of his hand,he would press it to his lips andgulp andhe'd be weightless in freedomwith billowed-out skin.He thought,if he were a wave in the ocean he wouldcrash at her feet, wash over her skinfor momentsas the next wave crashed too soon."How've you been?" she askedashe thought,he floated 'til his buoyancyfailed him"I'm sinking"
To marry a pianistIf I could choose, I would choose the boyabout sonata mornings, andsitting me on his bench, playing me something sweet likehydrangeas on my pillows,like daisy ringsand orchids in my hair;with dances heard andvoices carried without throat.If I could choose, I would chooselong fingers against black-and-whiteconnected to strings vibrating, humming,urging kisses andstaccato breathing.If I could choose, I would choose the boywith songs that make me ache, andI would feel him with soundlikehe feels me with word.
The girl with the cumulus eyesI love her:The girl with the daisies tied around her pinky, the wooden pencils tucked behind her ear. I love her in her Saturday night, moon-lit dances and the shape of her lips when she sings. I adore her fiery hair and her dirty fingernails, never plagued with putrid polish but forever plunging into the earthy depths of a patch of soil. "Those are my babies," she'd say as you admired the blooming results of pain-staking labour. I could kiss her proud smile so much it'd spoil her, but girls like her never spoil.I love her:The girl who enjoys cumulus clouds while I prefer cirrus; the girl with eyes reflecting the azure of the sky, even
The Story of Could've-BeenI bore stains of blueberry jamon the skirt of my best-and-only Sunday's dress.We held hands under the morning table,suffering spells of not-quite winter andautumnal nostalgia,you whispered like a true misanthrope-I held on to your heart,thinking that you hated that too.--I smiled at you with lips that learnedto swallow your words,constructing hints of promises,subtle exchanges ofwell hidden passion-you wouldn't believethe poet in you.--Mon amour, vous étiez comme un fantôme,the "could've-been"s that shook my dreams,the wispy fragments of a love that pooledin cupped hands, smelling sweet,tast
The truth, and nothing butI knew a boy who loved a girl who walked with spring and Springtime in her step. He kissed this girl like her lips dripped vanilla extract and honey. He eyed her like stars were embedded into her skin and that he could find the perfect clouds in the deepness of her eyes. I knew a boy who loved a girl who was nothing like me.I knew a boy who understood my need for the word "up". He knew "up" was the place I was always looking, but he never knew that I wanted him to look with me. Instead, he found his clouds and stars and sunsets in Springtime girls with honey lips.Regardless, I looked "up" at him and thought that "up" was where one could f
Like petals and leavesWhen she thinks of him, she thinks of tree branches:spindly fingers spread out, stretchingin angles wide for handfuls of sky.And she thinks of him.She thinks of him digging his toesinto soft, damp sand,wading in shallow depths beforebeing carried by crescents of the sea.She thinks of him in a blur of curls, in thewarmth on her waist and the coolness on her lips,pressing the memories and the maybeslike petals and leavesto paper.And she thinks of him.
Good job, I really like the repetition, and I like how you practically paint a picture. It's beautiful.
The repetition works very well.
I particularly liked:
"When she thinks of him, she thinks of tree branches:
spindly fingers spread out, stretching
in angles wide for handfuls of sky."
and
"pressing the memories and the maybes
like petals and leaves
to paper."
Quite a talent you have for visualised poetry.
Well done on the DD!